Shocking Twist in “Severance” Episode Changes Everything

The character of Milchick in “Severance” is undergoing a significant transformation, shifting from a figure of frustration and entertainment to one of potential sympathy. Initially, Milchick was portrayed as a mysterious and intimidating presence, using his charisma to manipulate the innies. However, Season 2 is revealing a more nuanced side to him.

In the latest episode, “Trojan’s Horse,” Milchick displays a surprising degree of morality. When confronted with racist paintings, he attempts to empathize with Natalie, a fellow person of color, rather than reacting with anger. This interaction highlights his discomfort with Lumon’s actions and his limited power within the company. His attempts to address the issue are ignored, emphasizing his subjugation within the corporate environment.

Milchick’s performance review further reinforces this idea. He is unfairly criticized, with seemingly trivial issues, like using “too many big words,” being used against him. This feels less like genuine feedback and more like a targeted attempt to undermine him. The review highlights the hypocrisy of Lumon’s standards, as other characters use similar language without consequence.

The review also reveals Milchick’s genuine desire to show kindness to the innies. The “kindness reforms” he implemented were his own initiative, not solely driven by Lumon’s manipulative agenda. He distinguishes himself from Harmony Cobel, indicating a desire to be his own person, something Lumon likely disapproves of. His subsequent cruelty towards Mark appears to be a forced act, a means of self-preservation.

This character development is reminiscent of Jamie Lannister’s arc in “Game of Thrones,” where a seemingly villainous character is gradually humanized. Milchick is evolving from a figure to be disliked to one of increasing sympathy. His on-screen presence is becoming more anticipated, as viewers seek to understand his true nature.

The show is effectively portraying Milchick as a person with his own feelings, forced to perform manipulative acts. His performance review reveals the kindness within him, suggesting that he is not inherently evil. There is a growing hope that Milchick will ultimately embrace his inherent goodness by the end of “Severance.”

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